The Story Of The Car - 843 Words

I. THE TRUCK Two men sit on fabric covered seats in the cab of an aged truck as it heaves up and down the stone filled dirt road. Duke is behind the thin steering wheel. He shifts the gear into third and switches the small radio off without taking his eyes from the road. We need to talk about last night. The Passenger wears his seat-belt across his chest, he feels restricted. His chest heaves like the truck—up and down. He doesn t move. He doesn t speak. Sweat builds on his thick brow as he forces himself to stare out the clear window. Flat fields, rolling hills, jagged mountains, thin slow moving clouds, heard of sheep, cows, and horses roaming the pastures. The Passenger is silent. II. THE KISS They were building a fence around†¦show more content†¦III. THE STING The Guest laid in the worn twin bed of the guestroom. He looked up staring at the ceiling. The room was small—he felt trapped. Looking around the room, noticing the details for the very first time he saw the dark wooden dresser, metal bookshelf, a crystal door knob on the closet door, and a portrait of Duke at the age of seventeen—he still looked the same—like a well-built stallion. He gently rubbed the dorsal side of his hand against his cheek feeling morning stubble. He swore he could still feel the sting. IV. THE MORNING Duke was in the dainty kitchen, the pine floors were rough, the appliances from another time, and one small window above the sink. Coffee was brewing. Biscuits were cooling. The newspaper, rest on the two person table, opened to the crossword puzzle. He fried an egg that his prized chicken laid that morning. Annie laid the best eggs around, he often claimed among friends and other ranchers alike. The creak of the old oak stairs filled Duke s ears as his Guest made their way down to the first floor of the home. The Guest stood in the doorway. Silence. Duke continued preparing breakfast, Hungry? V. THE SILENCE The two men sit at the too small table, only twelve inches apart. Used plates cluttered the surface of the table. Theirs knees often touched. TheShow MoreRelatedAnalysis Of Car Crash While Hitchhiking Short Story1483 Words   |  6 PagesWhat do you get when you mix drugs, a man named Fuckhead, and drama? A Denis Johnson story. Drama is a prominent and key aspect that appears in all of Johnson’s work. Johnson’s work demonstrates various uses of multiple techniques and ideas that young writers can understand and apply to their own work. The motif of drugs and addiction ignites the dominant style of drama in the stories. In â€Å"Car Crash While Hitchhiking,† Johnson conveys the message readers and allows them to empathize the addictsRead More Story about a Car Wreck Essay examples1897 Words   |  8 Pagesin all directions. The blood that I had loss slowly took affect on me, feeling disoriented I plummeted to the ground hoping that this twisted metal coffin would not become my tombstone. â€Å"I don’t want to go!† I shouted at my mom. â€Å"Perry get in the car, no questions asked!†She refused to repeat herself. My mom was one of those people who had been through a lot in her life. When you stared in her eyes, instead of her backing down she would stare right back at you with 10 times the force, which literallyRead MoreShort Story : The Car Went Sideways Down The Street Essay1322 Words   |  6 PagesThe car went sideways down the street, sliding end around end, tires squealing and spinning, trying to find an inkling of exposed concrete so they could reclaim their rubbery grip from the ice that had slathered itself over our small rural town. Hoping to end this impromptu winter carousel ride, dad maniacally spun the steering wheel like some possessed pirate spinning the helm of a galley; countering the direction in which the car was sliding. All the while, the string of vulgarities spewing fromRead MoreSymbolism in the Red Convertible1272 Words   |  6 Pagesand gives the reader an idea of the theme of the story without the author directly telling them. Louise Erdrich uses symbolism to h elp emphasize and reveal the themes and message of her stories. â€Å"The Red Convertible,† by Erdrich, is a story about brotherly love as the highest value between two brothers, Lyman and Henry, and also about the difficulties veterans of war and their families face at post-war times. 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Erdrich uses scenes involving the red convertible to show different stages of the brothers relationships. The story begins with a road trip representing the boys closeness, then precedes onto Lyman beating up the red convertible symbolizing the brothers separation. Erdrich then continues the story with Henry giving the redRead MoreEssay about The Urban Legend of the Backseat Murderer1024 Words   |  5 Pagesher parents work in the biotechnology field. I collected this story on a Sunday night in the dorm. The fact that it was nighttime helped create the proper mood for the story. It was told in a dimly lit dorm room. The story was told with an eerie tone of voice, with emphasis and excitement during certain parts. The final par t of the story was told in a mysterious fashion, which helped with the delivery of the ending. I heard this story a while ago from a friend. It starts out with a woman who isRead MoreAn Analysis Of Louise Erdrich s The Red Convertible 840 Words   |  4 Pagesimportant than the characters of the story. In Louise Erdrich s The Red Convertible, the car played the same important role as the characters did, but for different reasons. Two brothers, Lyman and Henry, had very little in common other than their blood. One day they decided to catch a ride to Winnipeg. The car was introduced while these two were doing some sightseeing in the city. They spotted the red Oldsmobile convertible. Lyman, the storyteller, almost made the car a living thing when he said, ThereRead MoreThe Red Convertible Short Story Analysis Essay774 Words   |  4 PagesChase Brown Oliva 9/22/12 English 102 Short Story Analysis: The Red Convertible â€Å"The Red Convertible† by Louise Erdrich is a short story about two Native American brothers, Lyman and Henry, and their growing bond as brothers. Symbolism is used rather heavily in this story. One of the main symbols of the story, as noted in the title, is the red convertible. The red convertible symbolizes the relationship status of the two brothers, and the struggles they face as Henry is drafted into theRead MoreAl in Phoenix1152 Words   |  5 PagesGilb’s story â€Å"Al in Phoenix† the narrator feels that Al is treating him unfairly. The narrator believes that Al thinks of him as a guy that is living loose and not bothering to get a job (Gilb 75-81). The narrator being the inductive thinker thought that Al was being unfair to him because of the way he was being treated. Al on the other hand, uses deductive thinker because he just based his facts  about the truth. Al based that the only reason the narrator is at the garage getting his car fixed was

The Importance of Sport and Exercise Psychology Essay

Sport and exercise psychology is a mandatory aspect of the sport science discipline. This discipline contributes to the various professional practices associated with physical activities such as - teaching of physical education, recreation and health promotion, and kinesiology related professions - because it plays a mental role for the participants. Sport and exercise psychologists view physical activity in several different ways: physical activity as a tool for health, physical activity as a tool for human potential, and physical activity as a tool for social change. This aspect of psychology may be the most important aspect of physical activity, because of the contributions of exercise and sport psychology to health, human potential,†¦show more content†¦This psychological determination is what a fitness consultant may attempt to implant in a client. The importance of psychology in physical activity has flourished as educators and recreation promoters are better able to u nderstand how the importance of health is view by their participants. Exercise and sport psychology is thought to be an extremely important aspect of physical activity and sport, which allow people to reach their human potential. The importance of exercise and sport psychology in increasing human potential can be seen by looking at how it affects high performance athletes, sport consultants, and the usage of visualization and imagery in this discipline. High performance athletes are consistently near their maximum potential as far as physical ability and strength are concerned. This has caused views to be shifted towards exercise and sport psychology to help the athletes take the next step towards their final goals. To take this next step, exercise and sport psychologists look at several areas. For example, they may look at competitiveness, emotional control, mental toughness, positive attitude, safety consciousness, and team orientation of an athlete to help establish where the athlete would be able to improve mentally (Jones, Neuman, Altmann, Dresch ler, 2001). Once the specific area they wish to improve has been found, they can begin to work with the athlete toShow MoreRelatedCompetitive Anxiety in Sports Performance722 Words   |  3 Pagesresearched topics in sport psychology (Woodman Hardy, 2001), focusing on the symptoms and consequences of Competitive Anxiety. The reason why Competitive Anxiety has been selected is because it is able to look at the effects of Anxiety on Sport Performance. I believe this is important as it distinguishes the difference between those who are able to calm competitive anxiety (such as Self Talk), which may suggest a reason as to why certain athletes achieve more in their sport than others. 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Silent Movies (Summary) Free Essays

SILENT MOVIES Talk to people who saw films for the first time when they were silent, and they will tell you the experience was magic. The silent film, with music, had extraordinary powers to draw an audience into the story, and an equally potent capacity to make their imagination work. They had to supply the voices and the sound effects, and because their minds were engaged, they appreciated the experience all the more. We will write a custom essay sample on Silent Movies (Summary) or any similar topic only for you Order Now The audience was the final creative contributor to the process of making a film. The films have gained a charm and other worldliness with age but, inevitably, they have also lost something. The impression they made when there was no rival to the moving picture was more profound, more intense; compared to the easily accessible pictures of today, it was the blow of a two-handed axe, against the blunt scraping of a tableknife. The silent period may be known as â€Å"The Age of Innocence† but it included years unrivalled for their dedicated viciousness. In Europe, between 1914 and 1918 more men were killed to less purpose than at any other time in history. In publications of the time, one reads horrified reactions against films showing â€Å"life as it is†. You did not leave the problems at home mere1? to encounter them again at the movies. You paid your money initially, for forgetfulness. Gradually movie-going altered from relaxation to ritual. In the big cities, you went to massive picture palaces, floating through incense-laden air to the strains of organ music, to worship at the Cathedral of Light. You paid homage to your favourite star; you dutifully communed with the fan magazines. You wore the clothes they wore in the movies; you bought the furniture you saw on the screen. You joined a congregation composed of every strata of society. And you shared your adulation with Shanghai, Sydney and Santiago. For your favourite pastime had become the most powerful cultural influence in the world — exceeding even that of the Press. The silent film was not only a vigorous popular art; it was a universal language — Esperanto for the eyes. Although the genre of silent movie faded it the 30’s it left us plenty of short and feature-length comedies created by four greatest silent screen actors: Charles Chaplin, Harold Lloyd, Buster Keaton and Harry Langdon. The most beloved of the four, the most appreciated by critics, Charles Chaplin, was the first to win general acclaim. Chaplin was a master of pantomime. His virtuoso improvisations quickly attracted the attention of American film-makers. At first he turned down all offers but in 1913 he finally joined Mack Sennet’s film company. His success with the public was truly unique. This fact opened great opportunities for him to start his own business. He showed rare versatility in acting as the producer-director-script-writer-musician-leading actor of his own comedies. His most famous films are â€Å"The Kid†, â€Å"The Gold Rush†, â€Å"The Circus† ,†City Lights†, â€Å"Modern Times†. Harold Lloyd and Buster Keaton’s contribution to the genre has been profound as well. Both comedians used story material of a young American trying to be successful as a man, in his love and in his business. Though they were both gifted and original actors and they could match Chaplin in his skill it took them longer to receive recognition that could compete with Chaplin’s fame. However by the early 1920’s both Lloyd and Keaton were already well-known to the public and could start producing feature films, which meant that they were very successful at the box-office. The fourth actor, Harry Langdon, was noted for his man-child portrait that made him different from the other major comedians of his time. The four great comedians created a great comic tradition that was carried on with the sound age. They have given us masterpieces that will never fade, and they will influence the film comedies yet to be born. How to cite Silent Movies (Summary), Papers Silent Movies (Summary) Free Essays SILENT MOVIES Talk to people who saw films for the first time when they were silent, and they will tell you the experience was magic. The silent film, with music, had extraordinary powers to draw an audience into the story, and an equally potent capacity to make their imagination work. They had to supply the voices and the sound effects, and because their minds were engaged, they appreciated the experience all the more. We will write a custom essay sample on Silent Movies (Summary) or any similar topic only for you Order Now The audience was the final creative contributor to the process of making a film. The films have gained a charm and other worldliness with age but, inevitably, they have also lost something. The impression they made when there was no rival to the moving picture was more profound, more intense; compared to the easily accessible pictures of today, it was the blow of a two-handed axe, against the blunt scraping of a tableknife. The silent period may be known as â€Å"The Age of Innocence† but it included years unrivalled for their dedicated viciousness. In Europe, between 1914 and 1918 more men were killed to less purpose than at any other time in history. In publications of the time, one reads horrified reactions against films showing â€Å"life as it is†. You did not leave the problems at home mere1? to encounter them again at the movies. You paid your money initially, for forgetfulness. Gradually movie-going altered from relaxation to ritual. In the big cities, you went to massive picture palaces, floating through incense-laden air to the strains of organ music, to worship at the Cathedral of Light. You paid homage to your favourite star; you dutifully communed with the fan magazines. You wore the clothes they wore in the movies; you bought the furniture you saw on the screen. You joined a congregation composed of every strata of society. And you shared your adulation with Shanghai, Sydney and Santiago. For your favourite pastime had become the most powerful cultural influence in the world — exceeding even that of the Press. The silent film was not only a vigorous popular art; it was a universal language — Esperanto for the eyes. Although the genre of silent movie faded it the 30’s it left us plenty of short and feature-length comedies created by four greatest silent screen actors: Charles Chaplin, Harold Lloyd, Buster Keaton and Harry Langdon. The most beloved of the four, the most appreciated by critics, Charles Chaplin, was the first to win general acclaim. Chaplin was a master of pantomime. His virtuoso improvisations quickly attracted the attention of American film-makers. At first he turned down all offers but in 1913 he finally joined Mack Sennet’s film company. His success with the public was truly unique. This fact opened great opportunities for him to start his own business. He showed rare versatility in acting as the producer-director-script-writer-musician-leading actor of his own comedies. Read also  Summary : Love Is Never Silent His most famous films are â€Å"The Kid†, â€Å"The Gold Rush†, â€Å"The Circus† ,†City Lights†, â€Å"Modern Times†. Harold Lloyd and Buster Keaton’s contribution to the genre has been profound as well. Both comedians used story material of a young American trying to be successful as a man, in his love and in his business. Though they were both gifted and original actors and they could match Chaplin in his skill it took them longer to receive recognition that could compete with Chaplin’s fame. However by the early 1920’s both Lloyd and Keaton were already well-known to the public and could start producing feature films, which meant that they were very successful at the box-office. The fourth actor, Harry Langdon, was noted for his man-child portrait that made him different from the other major comedians of his time. The four great comedians created a great comic tradition that was carried on with the sound age. They have given us masterpieces that will never fade, and they will influence the film comedies yet to be born. How to cite Silent Movies (Summary), Essay examples